Publishing On My Mind

The end of February finds me with publishing on my mind.

I feel fortunate and excited because my hybrid memoir manuscript WHEN I WAS A BILINGUAL WRITER BIRTHED BY BLACK L.A. found a home with Unsolicited Press. I decided to go the un-agented route due to the difficulties in publishing memoir for those of us who are not celebrities. I submitted to approximately thirty small publishers during a query and submission process that was challenging, but that also grew easier the more I practiced it. By the time I made the twentieth query, I had become a bit of an expert on the query letter.

I described my query process in an essay that was published this month on the Jane Friedman blog. The title of the essay is “How I Navigated My Way to a Memoir Deal from a Small Publisher.” Non-celebrity memoir is the most difficult genre in which to get published, but I was able to secure a deal because I had learned so much from other writers in the writing community. Make sure you read my essay for the details.

Also, regarding publishing, once I secured my contract to publish my memoir, I realized there was a bit of a vacuum in my writing history. The title of my memoir refers to my bilingual poetry, but in reality, I’d only published three of my bilingual and multilingual poems back in 1991 in Americas Review published by Arte Publico Press. The rest of my poems I’d guarded in file folders for years.

So, I’m currently in the process of self-publishing those poems now. It’s actually a fun and exciting process because I get to edit my poetic voice from over thirty years ago. And the process of finding a book cover artist and helping to design the cover has been awesome!


With this message, I hope to communicate the importance of never giving up. Don’t give up if you have to submit to over thirty publishers. And don’t give up if it seems daunting to publish writing from over thirty years ago. Positive persistence makes us human! And it’s contagious.

Book Readings in the Los Angeles Area

Looking back on my past two months attending book readings in Los Angeles, I’m inspired and energized by the manner in which these gatherings create community!

Connecting on social media is great, but real life is so much better. In-real-life events allow us to detect nuances we just can’t perceive when we interact digitally. And the connections we make are more authentic and lasting.

I found and/or rediscovered literary spaces where I feel at home. And I even became a member of Women Who Submit!

So which events did I attend?

At Skylight Books in the Hollywood area, I heard Michelle Gurule talk about her new memoir on sugaring titled Thank You, John. Brandon Taylor engaged in conversation about his novel Minor Black Figures which portrays a NYC painter pondering life and art.  And Myriam Gurba read from her hybrid memoir about plants and memory titled Poppy State and then passed out seeds to members of the audience.

On the westside at Beyond Baroque, poet and author Kevin Young read from two books — A Century of Poetry in the New Yorker: 1925-2025, edited by himself, and Night Watch, his newest book.

In East LA at Espacio 1839, editor Romeo Guzman accompanied Jenise Miller, Elaine Lewinnek, and Peter Chesney as they read from their essays in the anthology Writing the Golden State while George Sanchez-Tello performed and read as well.

Toni Ann Johnson read from her short story collection But Where’s Home? at a Women Who Submit event in Highland Park.

And never to be outdone, Reparations Club in South LA hosted Michaela Angela Davis as she engaged in conversation with Authur Jafa about her memoir tenderheaded.

I closed off this sprint of events in Santa Monica by attending the PEN America Emerging Voices LA Workshop reading. It was thrilling to hear participants read from their fiction, nonfiction, and poetry and to reflect on my experience as a PEN honoree and participant last year. 

I can’t wait to see what the new year brings in readings and lit events!